SubMass

LOW-END BASS RESONATOR TOOL

Designed to solve the ultimate mixing challenge: achieving a massive, powerful bass response

SUBMASS

 In standard mixing, boosting low-end with a traditional equalizer often introduces unwanted sub-bass mud, robs your mix of headroom, and creates a flabby, uncontrolled low-end.

SubMass fixes this by using a specialized, interactive filtering circuit. It creates a tight, resonant volume peak right at your chosen target frequency while simultaneously executing an aggressive high-pass cutoff immediately below it.

– Instant focus, inspired by LittleLabs “Voice of God” 500-series sound processor
– Preserver headroom: mixes will actually gain headroom and sound louder
– Tune your low-end purely by ear in seconds

$18 $13.50 Intro price

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Manual [PDF]

Immediate psychoacoustic illusion of weight, punch, and authority
that translates perfectly to any speaker system, without adding unnecessary sub-bass clutter.

Every engineer knows the struggle: a bass track that sounds huge in solo but vanishes on small speakers
– a synth pad that rumbles but eats all your headroom.
– a kick drum that pokes through but lacks “weight.”

SubMass is inspired by the legendary Little Labs™ Voice of God 500-series device, an analog “bass resonator” designed to salvage, enhance, and redefine low-frequency content.
Unlike tools that use subharmonic synthesizers or artificial harmonic distortion, SubMass FX achieved its massive low-end purely through a precision-engineered, resonant solid-state filtering

What it fixes?

  • Weak low-end: Instruments that lack fundamental body.
  • Muddy mixes: Resonant build-up that clouds up to 250 Hz.
  • Monitoring translation: Bass that feels present only on subwoofers.
  • Inconsistent sustain: Notes that die out before the groove resolves.

Making your bass instruments feel larger, more focused, and mix-ready

A simple low-shelf & EQ bell is static…

But SubMass is dynamic in perception, it reinforces what is already there.
Whether you struggle with a thin DI bass or an 808 that needs “chest feel,” SubMass delivers analog-style low-end control in a clean digital form

INSTANT FOCUS

It curves out low-frequency mud while magnifying the exact
“sweet pot” of your bass

PRESERVER HEADROOM

By cutting the invisible, energy-robbing sub-frequencies below the resonant peak, your mixes will actually gain headroom and sound louder

SUB, KICK, BASS – FIX THEM FAST

Ditch complex multi-band workflows. With just a few knobs, SubMass lets you tune your low-end purely by ear in seconds

INSPIRED BY HARDWARE PHENOMEN

A secret weapon among top-tier mix engineers

The original Little Labs* Voice of God (VOG)™ was born out of a practical need in high-end recording studios. Originally designed as a custom tool to fix thin voiceovers and broadcast vocals giving speaker talent that authoritative, radio-ready “Voice of God” presence audio engineers quickly realized its massive potential for music production.

When it was released, it became a secret weapon among top-tier mix engineers for transforming kick drums and bass guitars. it achieved low-end “weight” using a completely clean, solid-state signal path.
It didn’t rely on transformers to saturate or generate fake sub-harmonics.
It relied purely on a beautifully tuned, highly interactive resonant filter circuit.

* ™: All product names, artists and bands names, trademarks and registered trademarks are the property of their respective owners. All company, product, bands and service names used are for identification purposes only. Use of these names, trademarks and brands does not imply endorsement

how fx work

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SUBMASS / $18

Add to cart
14-days free trial
Manual

USE BETTER FOR

-KICK DRUMS (Acoustic & Electronic): Adds incredible chest-thumping punch to 808s, 909s, rock kick drums

– BASS GYUITARS & SYNTHS: Locks down the fluctuating low-end of a bass performance, giving it a consistent, steady foundation

– VOICEOVER & MALE VOCALS: Restores proximity effect to thin, poorly recorded microphones, givingvocals a deep, cinematic authority

– VOCALS: Tempo-synced delays. Ducking for clarity. Darker Tone settings

– TOM-TOMS: Tightens floor toms, accentuating their deep resonance while filtering out muddy bleed from the rest of the drum kit

™: All product names, artists and bands names, trademarks and registered trademarks are the property of their respective owners. All company, product, bands and service names used are for identification purposes only. Use of these names, trademarks and brands does not imply endorsement


64 bits support
Mac Intel / Apple Silicon
Windows 10

Frequently Asked Questions / F.A.Q:

VST3, AU & AAX formats, 64-bits only
* AAX is a trademark and software of Avid Technology. Audio Units is a trademark and software of Apple Inc. VST3 is a trademark and software of Steinberg Media Technologies GmbH.

Ableton Live 11+ / Mac & PC: AU & VST3
Bigwig 4+ / Mac & PC: AU & VST3
Cubase 13+ / Mac & PC: VST3
Digital Performer 11+ / Mac & PC: AU & VST3
FL Studio 23+ / Mac & PC: AU & VST3
GarageBand 10+ / Mac: AU
Logic Pro 10+ / Mac: AU
ProTools 12+ / Mac & PC: AAX
Presonus / Fender Studio One 5+ / Mac & PC: AU & VST3
Reaper 6+ / Mac & PC: VST3
Reason10+ / Mac & PC: VST3 / (Reason Rack: VST3)
Cakewalk Next / PC: VST3
..and many more. If your DAW is suport AU, AAX & VST3 formats, they must work.

MacWindows
64-bits only Intel & Apple Silicon,
Mac OS X 10.15 or higher 		OS: 64-bits only
Windows 10 or higher
RAM: 4Gb minimum, 16 recommendedRAM: 4Gb minimum, 16 recommended
Disk space: 200Mb free drive spaceDisk space: 200Mb free drive space

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